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Regenerating the South Bank. Reworking the Community and the Emergence of Post-Political Renegeration
Thank Goodness–Parking Tickets aren’t Tax Deductible: Practical advice on filing for tax returns.
Kommentar till Macey: Svenskaktiebolagsrätt i omvandling
Energy security should have more weight in low carbon scenarios
Landskapet, förflutenheten och samtiden - uppsatser om bevarandets dilemman
Biologically inspired enhancement of dim light video
In this chapter a technology for the enhancement of video data obtained at low light levels is presented. The method was inspired by the way in which nocturnal animals adaptively sum intensities, spatially and temporally, to improve vision at night. Due to the low photon count under these conditions the visual input is dark and unreliable, which leads to noisy low contrast images. The noise become
Client side JavaScript workload characterization of social network applications
Lämpliga högsta hastigheter i olika kritiska situationer
Expertsystem. Om ett nytt sätt att utnyttja datorer
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Foreword [to: The Prayer Life of Peasant Communities in Late Medieval Sweden: A Contrast of Ideals and Practices]
Producing the Internet: Critical Perspectives of Social Media
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Volymelement i betong : produktionsekonomisk analys
Fiskgjusarna vid Hammarsjön – vad pysslar de med egentligen?
Trellis Source Coding Methods for Low Rates and Short Blocks
Trellis quantization is a finite state machine based method for data compression. It is mainly applied to quantizing noise-like sources. In this thesis new trellis codes suitable for low rate quantization are derived. Rate-distortion theory predicts source coding performance, but unfortunately provides only limited insight in how to construct good codes. In general, good trellis source codes combi
Urothelial carcinoma of the upper urinary tract
Modernitetskritik i svart-vitt. Chaplin mellan kapitalism, kommunism och nazism
Charles Chaplin discussed in his films from the late 1930s and early 1940s modernity and ideology. With examples from Modern Times, The Great Dictator and Monsieuer Verdoux, I discuss different interpretations and some reactions to these films.