Remote Solidarity and Remote Warfare: Street Art and Military Visualising Technologies in Palestinian Territories.
This essay investigates the ways of convergence of the spectacle with the surveillance, as suggested by Thomas Mitchell and Nicholas Mirzoeff. In order to ground their suggested theory in concrete visual empirical cases, I situate my analysis in the Palestinian territories. I juxtapose ostensibly disparate visual phenomena deriving from the street art and the military visualizing technologies. The
