Den levande skulpturen: en semiotisk studie av den cybernetiska konstens syfte och kommunikativa särmärke
This study examines the theoretical conception and communicate aspects of Cybernetic art on the background of an analysis of Edward Ihnatowicz’s sculpture The Senster from 1970. It also examines the role of the artist as an engineer with Claude Lévi-Strauss notion on bricolage as a vantage point. This research draws upon a multitude of theoretical perspective which involves cybernetics, postmoder
