“holding one’s own in an unfinished systemit simply stresses the multiples at play”This exhibition takes its name from a 1987 text by Canadian artist Ellie Epp. The unfinished systems in which Epp and British artist Juliette Blightman hold their own are multiple: from the commitments of the artists’ daily lives, to the context of the societies they occupy, to the art institutions which provide one

Since their discovery in 1945, the Nag Hammadi Codices have generated questions and scholarly debate as to their date and function. Paul Linjamaa contributes to the discussion by offering insights into previously uncharted aspects pertinent to the materiality of the manuscripts. He explores the practical implementation of the texts in their ancient setting through analyses of codicological aspects

An essay revisiting Stephen Andrews's series of works including drawings and video produced from unofficial sources following the United States invasion of Iraq in 2003.

“How do systems of distribution facilitate our encounter with artworks that refuse the status of the unique art object? Artists’ film and video and artists’ books have both occupied key roles within the practices of interdisciplinary artists for successive generations. However, they have existed at the margin of institutions, appearing most often under the departmental auspices of public and educa

“There is something to confess: your speaker likes to leave a movie theater. Back out on the more or less empty, more or less brightly lit sidewalk (it is invariably at night, and during the week, that he goes), and heading uncertainly for some café or other, he walks in silence (he doesn’t like discussing the film he’s just seen), a little dazed, wrapped up in himself…”In his 1975 essay, Leaving

A text written in collaboration with Oliver Husain surveying the films and artist's books by Jimmy Robert in relation to his solo exhibition at The Power Plant Contemporary Art Gallery.

What you hold in your hands is the outcome of an extensive research project into Babette Mangolte's film The Camera: Je, La Camera:1 (1977), and Lucy Lippard;s novel I See/ You Mean (1979), which took place in the frame of If I can't Dance's Performance in Residence programme with invited researcher Jacob Korczynski. Korczynski has investigated the relationship between the subjective role of the c

"Collection/Correction" is a publication edited by Jacob Korczynski that surveys Andrew James Paterson’s (Toronto, 1952) writings for the first time. Co-published by Kunstverein Toronto and Mousse Publishing, "Collection/Correction" is anchored upon a series of new and recent poems and also includes four of the scripts from his videos The Walking Philosopher (2001), Eating Regular (2004), 12 x 26

The effect of non-starch polysaccharides of whole unripe plantain flour (WUPF) on the starch hydrolysis rate provides information on the potential glycemic impact of the use of this flour to produce gluten-free foods. The aim of this study is to evaluate the effect of the non-starch polysaccharides (dietary fiber (DF)) present in the peel of unripe plantain flour on starch digestion, texture, and

BACKGROUND: In Sweden, as in many other countries, official monitoring of healthcare quality is mostly focused on geographical disparities in relation to a desirable benchmark. However, current evaluations could be improved by considering: (1) The intersection of other relevant axes of inequity like age, sex, income and migration status; and (2) The existence of individual heterogeneity around ave

Grupputställning Västerås Konstmuseum, curator Katarina Elvén"I utställningen Någon sorts kunskap – fotografi ur och av samlingar undersöker konstnärer grundläggande frågor om fotografi och dess användning. Hur förhåller vi oss till fotografiets anspråk på att erbjuda oss kunskap och att framstå som objektivt bevis? Hur styr fotografen bilden och hur skapar bilden världen?"Group exhibition, Västerås Konstmuseum

Grupputställning, två personer, curator Renée Padt ALLART NOW, StockholmThings, the inanimate materials surrounding us in our home, they usually outlive us in time, transforming the mundane into material evidence. But what histories lie within or beyond them? Is the relation each thing carries only just to itself? What memory does a thing hold?"Memory of Things" presents two new works, Re-ConstrucTwo person show, curator Renée PadtALLART NOW, Stockholm

Grupputställning, Malmö Konstmuseeum, curators: Malin, Forssell, Anna Johansson och Anne ThomasenFör många är hemmet den självklara medelpunkt som tillvaron kretsar kring. För vissa är hemmet den enda tryggheten, för andra är flykten från hemmet det enda hoppet. Begreppet ”hem” resonerar starkt med oss alla, oavsett om vi är tacksamma över det vi har, eller förtvivlade över det vi saknar.Vad ett hGroupexhibition, Malmö Museeum, curatots: Malin, Forssell, Anna Johansson and Anne Thomasen

This paper proposes an interaction and safety-aware motion-planning method for an autonomous vehicle in uncertain multi-vehicle traffic environments. The method integrates the ability of the interaction-aware interacting multiple model Kalman filter (IAIMM-KF) to predict interactive multi-modal maneuvers of surrounding vehicles, and the advantage of model predictive control (MPC) in planning an op

Grupputställning, Hasselbald Center, curators Louise Wolthers och Andréas HagströmUnder perioden 1985–95 genomgick fotografiet i Sverige stora förändringar. Det var postmodernismens era, när ett koncep-tuellt förhållningssätt på allvar etablerades, när kvinn-liga konstnärer och fotografer verkligen tog plats och när foto- och konstvärlden började förenas. Det var en tid av motstånd – både från en Groupshow, Hasselbald Center, curators Louise Wolthers and Andréas Hagström

Offentligt uppdrag, Tranströmer biblioteket, Medborgarhuset, Stockholm Maria Hedlunds stora intresse och en återkommande utgångspunkt för hennes fotobaserade konst är fascinationen för människans samlande. Genom kamerans lins studerar hon föremål, växter, stenarter och insekter. Oftast befinner de sig i ett övergångstillstånd och har förlorat sitt ursprungliga sammanhang. Hedlunds bildsviter, som Public commission, Tranströmer library, Medborgarhuset, Stockholm

Offentligt uppdrag, Medborgarhuset, StockholmValens vithet III är en serie om 18 fotografier av ett akvarium med en vit val. Bildsviten är en tydlig referens till den klassiska romanen Moby Dick (1851) av Herman Melville. Verkets placering på väggen mellan biblioteket och simhallen har också en naturlig koppling till vatten. Här handlar det även om att påminna betraktaren om en ständig växelverkanPublic commisson, Medborgarhuset, Stockholm

On 18 August 2022, an extremely very local 45 minutes storm fell over Båstad. There are several observations close to or more than mm. In the summer 1937 there was a famous long-lasting rain, for which the daily value was 150 mm. During the summer 2007, there were many large rainstorms of around 75 mm. I compare the short-term 2022 storm with other large storms observed in Sweden, and I do the sam