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Fattigvård, diakoni och välfärdstjänster - från restriktioner till konkurrensutsättning

The Church has been a dominant actor in the history of care and social support, but it met several restrictions during the 20th Century. The Church of Sweden now has,since the separation from the state A.D. 2000, the possibility to act as a "welfare entrepreneur". But the willingness to do so seems limited. Even if innovative examples are seen the parishes hesitate for organisational and ideologicThe Church has been a dominant actor in the history of care and social support, but it met several restrictions during the 20th Century. The Church of Sweden now has,since the separation from the state A.D. 2000, the possibility to act as a "welfare entrepreneur". But the willingness to do so seems limited. Even if innovative examples are seen the parishes hesitate for organisational and ideologic

Interrogating the 'valley of wonders' : Some romantic-period debates about Chamonix-Mont Blanc

By the time that Samuel Taylor Coleridge described Chamonix as a Valley of wonders’, in the 11 September 1802 number of the Morning Post, the region was already well established as a key focal point in the European debate about the scientific, aesthetic, political and religious significance of sublime landscape.1 However, Chamonix’s prominence on the cultural map of Europe was also relatively rece

Percy Shelley's 'Unfinished Drama' and the Problem of the Jane Williams Poems

This essay returns to the extensive scholarly debate surrounding the lyrics and fragments which Percy Bysshe Shelley composed for Jane Williams, or with her in mind, during the last six months of his life. It takes its point of departure in what it defines as “the problem of the Jane Williams poems” – the difficulty, faced by biographers, editors, and critics alike, of mapping the relationship bet

'Of which no trace remains' : Percy Shelley's other 'lyrical drama' and the inception of Hellas

Hellas, a Lyrical Drama (1822), Percy Bysshe Shelley’s response to the outbreak of the Greek War of Independence, remains one of the most neglected of his major works. Even less attention has been paid to Shelley’s series of attempts to write about the Greek cause, which he then abandoned before he began work on Hellas in the autumn of 1821. This essay seeks to redress that neglect. It examines a