Authenticity, copying and the critical gaze : The crisis of representation
AbstractIn contemporary western theatre and actor’s training there is a tension between different traditions in the actor’s work, concerning the bodily practices that are related to representation, construction of identities, authenticity and self-expression. One aspect of the actor’s methodical tradition – the openness for suffering and sacrificing oneself in the name of the arts – will be displaIn contemporary Western theatre and actor’s training, there is a tension between different traditions in the actor’s work, concerning the bodily practices that are related to representation, construction of identities, authenticity and self-expression. One aspect of the actor’s methodical tradition – the openness to suffering and sacrificing oneself in the name of the arts – will be displayed and
