Kvinnohandens mjukhet - kvinnliga skulptörer kring sekelskiftet 1900 i svensk konstkritik
This study investigates the discourse in the art criticism written between 1895 and 1920 concerning women sculptors in Sweden. Primarily, it focuses on the criticism regarding Sigrid Blomberg (1863–1941), Agnes de Frumerie (1869–1937), Ruth Milles (1871–1941), Alice Nordin (1871–1948) and Gerda Sprinchorn (1871–1951). At the turn of the twentieth century Sweden was a patriarchal society; women di