The Carnal Monitor: Feeling Posthuman Metaphysics Through Technological Fantasies in James Cameron’s Avatar
This thesis seeks insight into a historical moment through an investigation of James Cameron’s 2009 film, Avatar, as an expression of a distinct form of posthumanism relevant to today’s digital network technology. Indicators of this include biologically-oriented empirical science, unique and individualized production,environmental integration and a haptical monitoring experience. The avatar icon i
