The dancing qualities of the cinematic space: a methodological experiment in order to perceive the motion picture as a dancing body.
The thesis is proposing a method to perceive the cinematic space as a body in motion. The foundation for such an experimental method is traced within the investigation of the movement in the study of the motion picture, as well as in a phenomenological approach to dance, and in selected theories from the continental philosophy of the 20th century. In doing so, the paper aims to widen, examine and