Visual Wonders and Shocks : Images of Human Fetuses in Television Programs on Abortion and Fetal Research, 1969–1988
This chapter explores and compares the different uses of images of human fetuses in a number of Swedish television programs dealing with the controversial issue of fetal research in the period from the late 1960s to the late 1980s. Drawing on previous discussions on fetal imagery and ‘the public fetus,’ the analysis focuses on the different representational strategies used in a sample of programs