Konstens slut? - En idéhistorisk studie gällande Arthur Dantos argument för konstens slut från 1984 till 1998.
The following paper examines the philosopher and art-critic Arthur Danto’s well-known thesis concerning ”the end of art” in relation to its influences and contemporary historical context. Inspired by Hegel’s philosophy of history and art, Danto’s argument was based on the idea that Western art history, construed as a grand narrative, had come to an end in the second half of the twentieth century.